There are cult classics when it comes to movies, and there are cult classics. Blade Runner is one. The Rocky Horror Picture Show is another. Monty Python and the Holy Grail, for sure. But why is that?
In my post, “Failed at Faulkner,” I confessed to not understanding the appeal of American novelist William Faulkner. In this post, I confess to not understanding the appeal of Blade Runner.
It took me several attempts over the years, but I persevered and finally succeeded in watching the original Blade Runner movie (in particular, the version designated “The Final Cut”). And for the life of me, I just don’t see why this movie has generated a cult of fans. For those few out there who have not seen Blade Runner, let me simply say that the story concerns a not-too-distant dystopian future in which “replicants” (think, cyborgs, artificial people) come close, through advanced biotechnology, to resembling humans. The replicants pose a danger because they will do anything to claim humanity and blend in with humans. Not surprisingly, the theme of the story concerns what it means to be truly human.
Perhaps I might appreciate Blade Runner more if I took a class in film appreciation. Then maybe I could fathom its impact (good or bad) on viewers and critics. Blade Runner seems to be a movie you have to study to best appreciate it, and I’m not accustomed to studying any movie. I can grudgingly admit the movie’s dystopian setting may have influenced the use of dystopian settings by later movies. That’s about the only positive thing I can say. On the other hand, while we all know a musical score can make or break a movie, unfortunately, the soundtrack by Vangelis felt spotty and didn’t move me.
So what about Blade Runner 2049? In this movie, replicants can procreate, and thereby claim humanity. I found the storyline easier to follow, but at times confusing. Sure, the setting was very familiar: dark, polluted, crowded, consumeristic, dystopian, post-industrial, just as in the first movie. But wouldn’t things have changed more in the thirty years since the time the first movie took place? And the soundtrack, powered by synthesizers, provided a connection back to the original movie. But the movie was too long, and the reappearance of Harrison Ford, who starred in the first movie, did nothing for me.
I’m afraid I won’t be offered membership in the Blade Runner cult. And I probably wouldn’t appreciate membership if I was offered it.